Award winning Director & Animator

Nigerian born, Midlands raised, London based.

Eno is a self-taught, an award-winning filmmaker with a decade-long career built on the front lines of production.

Driven by a natural curiosity, she has spent the last decade mastering the architecture of film working as a 1st Assistant Director and Creative Producer, building an extensive portfolio of TVCs, music promos, branded & social content and documentaries for brands like Google and Samsung.

Along the way she taught herself the intricacies of editing, camera operation, and photography. This multi-disciplinary foundation allows her to approach directing with a unique, 360-degree understanding of the craft.

Her narrative debut, the stop-motion short Hope is Lost, stands as a testament to her craft and patience. Five years in the making and crafted almost entirely from recycled materials, the film explored themes of identity and survival inspired by her own childhood. Following its world premiere at the 69th BFI London Film Festival, the film earned the Crédit Mutuel Anjou Audience Award at the 2026 Festival Premiers Plans d'Angers.

Eno doesn’t just make films; she builds worlds. Whether through the tactile nature of animation or the high-stakes world of live-action, she remains dedicated to narratives that challenge, move, and endure.

  • A decade of experience running the floor for global brands like Google and Samsung. I bridge the gap between the Director’s vision and the crew’s execution, fostering a calm, efficient, and safe environment that keeps the production moving without sacrificing the art.

  • I oversee the lifecycle of a project from initial concept to final delivery. My approach combines "boots on the ground" technical knowledge with high-level strategy, ensuring that every penny of the budget is visible on screen.

  • Award-winning stop-motion animator, with a focus on sustainable, recycled materials. I manage the painstaking process of frame-by-frame narrative building, from character design and set construction to final performance.

  • Whether leading a full crew on a music video or working as a director-operator on an intimate documentary, I prioritise narrative depth and visual intentionality. My directorial style is informed by a "hands-on" technical background, allowing me to communicate fluently with all departments to bring a vision to life.